Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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DADDI, Bernardo
Madonna and Child with Sts Matthew and Nicholas dfg

ID: 06360

DADDI, Bernardo Madonna and Child with Sts Matthew and Nicholas dfg
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DADDI, Bernardo Madonna and Child with Sts Matthew and Nicholas dfg


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DADDI, Bernardo

Italian Early Renaissance Painter, active ca.1290-1348  Related Paintings of DADDI, Bernardo :. | The Marriage of the Virgin fg | Madonna and Child with SS.Mat-thew and Nicholas of Bari | Madonna and Child with Sts Matthew and Nicholas dfg | Madonna and Child Enthroned with Angels and Saints dfg | Polyptych of S. Pancrazio |
Related Artists:
Maujdar Khan Hyderabad
c.1866 r.1884-1911
Corot Camille
French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
Cornelis de Heem
Dutch Baroque Era Painter, 1631-1695 Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.






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